Mariana Münning, Josie-Marie Perkuhn, Johannes Sturm (eds.), The Strange Sound: Proceedings of the International Symposium on Chinese Musicology in Bonn, October 3-4, 2014, Bonn: Ostasien-Institut (epubli), 2016.



The Strange Sound Symposium took place in the Chamber Music Hall of Beethoven-Haus in Bonn in 2014.

Table of Contents

  • Barbara Mittler - Foreword
  • Mariana Münning, Josie-Marie Perkuhn, Johannes Sturm - Introduction
  • François Picard - Religion and Music in China: Synthetic or Hybrid?
  • Li-Xing Hong 洪力行 - The Curious but Wondrous Sound of Chinese Sacred Music: On Tianyue Zhengyin Pu by Wu Li 吳歷 (1632-1718)
  • Chang-Yun Han 韓昌雲 - The Art of Kunqu: From the Reconstruction of Tianyue Zhengyin Pu to the Fusion of Chinese Prosody and Music
  • Hong-yu Gong 宫宏宇 - An Accidental Musicologist - Wang Guangqi 王光祈 (1892-1936) and Sino-German Cultural Interaction in the 1920s and 1930s
  • Zhao Chonghua 赵崇华 - The Convergence of Ideals and Realities: How Wang Guangqi 王光祈 (1891-1936) Contributed to Music Education in China
  • Frank Kouwenhoven - China's Musical Sorcerer, Tan Dun 谭盾
  • Huang Chun-Zen 黃均人 - The Alois Osterwalder Collection of the Shih Wei-Liang Archive: A Forgotten Music Treasure of Taiwan
  • Alois Osterwalder - Postface: The Strange Sound - Nachwort zum Musiksymposium "Der fremde Klang in China und in Europa".


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